Curator Yu-ping Luk takes a closer look at a remarkable painted scroll that illustrates scenes from early Chinese poetry. A look inside the Chinese scroll mounters based in the Hirayama Studio at the British Museum. For more information on how we use cookies and how to manage cookies, please follow the 'Read more' link, otherwise select 'Accept and close'. In the 1860s, for example, the well-known events surrounding the sacking of the Summer Palace in Beijing brought numerous Chinese imperial objects of the Ming and Qing periods (15th–19th centuries) on to the market for the first time, and collectors were almost universal in their admiration for what was revelatory new material to those with no direct experience of China. Membership The foundations for the Chinese collections were laid by Franks, who was keeper of British and medieval antiquities from 1866 to 1896.

In 1920 his daughters donated a significant example to the British Museum on his behalf, the so-called Alexander bowl, a very rare Song dynasty imperial-quality celadon dating to the early 12th century.The Alexander Bowl (1100–25), China, Henan prince, Ruzhou, Zhanggongxiang.Nine years later, another BFAC member, Percival David, donated another important Chinese ceramic to the museum, a Daoist shrine of the early Ming dynasty, dated by inscription to 1406. Exhibitions and events The British Museum participated in this, as part of its programme to sponsor archaeological exploration in locations around the world.

In the early 1930s, archaeologists from the Academia Sinica (founded in China in 1928) excavated a series of tombs near Anyang, the capital of China in the Shang period (The Kang Hou Gui (11th century BC), China, Henan province.

The Kang Hou Gui was displayed in 1935 in the International Exhibition of Chinese Art at the Royal Academy, a major event in the history of the collecting and display of Chinese art in Britain. The Tiger Who Came to Tea by Judith Kerr: sketches and original artworkSean's Red Bike by Petronella Breinburg, illustrated by Errol LloydThe fight for women’s rights is unfinished business The The classification of Chinese paintings as prints and drawings in the British Museum suggests that this type of Chinese art was somewhat less popular with collectors in Britain, who traditionally preferred ceramics. Archaeology was also indirectly the catalyst for the acquisition by the museum of another object from a site in China, this time a tomb in Henan province. Along with fellow founder John Robinson (of the South Kensington Museum), Franks encouraged members of the club to display their objects in regular exhibitions and to donate pieces to the national museums. Before that date, he had been actively engaged in what can be described as the London Chinese art world – which included museums, such as the British Museum and the V&A, collectors’ groups such as the BFAC and the Oriental Ceramic Society (OCS, founded in 1921), dealers, and, from 1930, university courses funded by David himself.Daoist shrine (dated by inscription to 1406), China, Longquan kilns, Zhejiang province. The Department of Asia in the British Museum holds one of the largest collections of historical objects from Asia.These collections comprise over 75,000 objects covering the material culture of the Asian continent (including East Asia, South and Central Asia, and Southeast Asia), and dating from the Neolithic age up to the present day. Discover the many tales of death and memory from the Museum. He acquired a wide range of Chinese, Japanese and Korean objects for the museum, with a particular focus on ceramics, publishing several catalogues on this subject that are important documents of 19th-century British collecting patterns and scholarship. Love and desire is a theme found across the Museum's collection. In 1998, for example, it acquired a rare painting dated to the 14th century that may be the first Chinese scroll painting to come to Britain, the Indeed, most of the Chinese and Japanese paintings in the British Museum came into the collection as ‘prints and drawings’, rather than Chinese or Japanese antiquities, in keeping with the reception and classification of such material that persisted at the museum until relatively recently. In 2016 a classic black-glazed stoneware bottle from the Jin-Yuan period (13th century) was bequeathed by Francis Golding, a leading architecture and design consultant in London. It is clear that while archaeology provided a significant source for pre-Ming objects in the first quarter of the 20th century, military activity in China was also important as this was among the ways that Britain engaged with China in the 19th and early 20th centuries.

Image of archeological, london, exhibit - 126006718 The collecting of archaeological material from China only became possible on a large scale from the very late 19th century, when railways were built across north China; ancient tombs were frequently disturbed by the construction and improved transportation meant that previously remote regions could more easily be reached.

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