Who is to say that our own industrial progress will not suffer the same fate?But the voices of Mirabeau, the Goncourt brothers, Renan and Baudelaire were drowned out in the chorus of popular and governmental enthusiasm for the event.

No one seriously questioned the right of any nation to keep itself strong and respected by military engagements whenever the situation warranted intervention. After all, he had been well-paid, and would be given another chance to perform his music — without interruption — on the following day. And in one area, at least, French superiority was incontestable: the fine arts.Because of the longstanding antipathy between the fine arts and industry — the "beaux-arts" and the "arts utile" — the two groups never exhibited together in any of the national industrial expositions between 1801 and 1849.11 The English exhibition of 1851 achieved a partial rapprochement by allowing for a section of the exhibit to be devoted the sculpture — presumably because of technical processes of working with marble and bronze bore some resemblance to industrial techniques. The scene was held in good taste, Gounod having been one of signatories of the Artists’ Petition to protest against the erection of the Eiffel Tower!For the Universal Exhibition of 1889, four majestic wooden pavilions designed by Stephen Sauvestre decked the platform on the first floor. Exposition Universelle Internationale de 1900 à Paris: Actes organiques (Paris, June, 1896). Through their children, Napoléon III hoped to establish the new bloodline for French royalty.
Delacroix was well-represented, with 35 works on exhibit; but Ingres had a larger room reserved exclusively for his 43 works.
What was unusual was for a nation to be both warlike and benign at the same moment. The reception of the Queen and Prince Albert at the Exposition, where British and French exhibits competed peacefully side by side, was taken by both nations as an explicit and official message that the ancient military rivalry between France and England had come to an end.Emperor Napoleon III and Queen Victoria visit the Fine Arts Building at the 1855 ExpositionAt least one writer saw, in the visit of the queen of England to the French exposition, more than a mere political alliance. The French proudly matched the British with substantial displays of products from the Antilles, Senegal, the island of Réunion, Madagascar, Gabon, and especially the newly-won Algeria. He referred to himself as “the secretary of society” and that his works were “instruments of scientific inquiry.” Here, for example, is his description of Madame Vauquer, the mean-spirited and miserly landlady in “The room is to be seen in its full glory at seven in  the morning, when madame Vauquer’s cat comes in...The widow herself traipses in shortly behind him in her battered slippers. "The brazen imitator England has stolen from us the idea of a universal exposition. The English preference of "the comfortable" reflected an idea very un-French and at odds with the higher ideal of style. The Tower was met with immediate success.From the very first week, though the lifts were not yet in service (they would be from the 26th May), almost 30,000 visitors climbed the monument using the staircase, that is to say 1,710 steps to the top !At the time, the Eiffel Tower was the tallest tower in the world and people from all countries went to the heart of the French Capital to admire this architectural masterpiece.The public hurried to experience not only the dizzy heights of the ascent, but above all an unprecedented view over Paris, since no one had yet seen the view from an aeroplane.The Eiffel Tower has attracted among its copious number of celebrity visitorsOn the 10th July, the President of the French Republic, Sadi Carnot, very satisfied with his visit, offered a sum of 200 Francs to the Eiffel Tower employees and a sum of 100 Francs to the Figaro printing staff!Already festive, the Eiffel Tower lit up every evening with the light of hundreds of gas lamps protected by opal glass cases. Some of this incongruous blend of despotism and humanitarian ideals was the legacy of Napoléon I. He returned to France, not just with a general feeling of gratitude, but a genuine love of many English institutions. Het Bureau International des Expositions heeft de tentoonstelling achteraf erkend als de 4 e universele wereldtentoonstelling.. Geschiedenis. The Eiffel Tower during the 1889 Exposition Universelle At this "University of Ham," as he called it, Charles Louis dreamed his dreams of empire. The visitor standing before the main doors was greeted by an immense flanking movement that towered and spread before him. And in the theater itself, new ideas abounded. One cynic remarked that the Palais resembled one of those ludicrous theatrical performances "where the curtain accidentally rises on the actors But to the practiced eye, the victory was an illusion.


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